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Justin Hayward answers your questions!  In a recent Q&A for MoodyBluesToday.com, Justin answers some fan-submitted questions:
1. What inspires you to write music?
Pressure to come up with a anthem, and a time restrict to do it in namely often the best inspiration. After that its a question of residing up till its done. Something about songwriting is like a waking imagine and I adore that. Most times a song comes out of playing my guitar or my keyboards, and a powerful sensation is induced, alternatively a memory all butmeone, or a current chord change and a rhythm that feels excellent to play suggests a phrase or a line. Thats the exciting and pretty start. After that, its about devoting the time and exertion into act the song justice, and detecting a deeper meaning. Occasionally it takes weeks or even annuals, but so what! Its wizardry.
2. How do you think The Moody Blues have affected society?
Very few artists have really affected society The Beatles, Elvis? Yes, they did. From where I am, on the inside of this group, the question is I dont understand but Im just glad that we are portion of the anecdote. What is quaint is how some expressions and phrases enter the language. Nights In White Satin is one of those titles that popup up in all sorts of places that are used to depict everything from underwear collections to cities along moonlight. I was surprised to find Russians in Moscow and Chinese in Asia who knew the heading and quoted it to me sometimes without knowing the song.
3. Could you please tell us about the differ instruments played either in the studio or on tour – like the sitar?
Im only definite in speaking as myself, and I calculate I have only played guitars and keyboards on stage (sitar on 1 gig), yet the question got me analytic about what I played on the logging conferences so – here we go: All the synth keyboards worth playing, and each variety of guitar I have ever been aware of, bass, cello, double bass, mandolin, tambourine, Celeste, drums, full pipe apparatus (on Watching and Waiting), Farfisa organ, electric piano, piano, Hammond organ, harmonica, autoharp, dital harp, fender Rhodes, harpsichord, sitar, tambour (I think thats what its cried, the drone entity that looks favor a sitar), Tablas, congas, maracas, bongos, harmonium, squeeze carton, stylophone, cowbell, and Ill meditation of some more just before I work to slumber tonight!
4. Could you please acquaint us a bit more about some of the clubs in London where youve played?
I dont have numerous recollections of the London clubs we played by regularly for it was all a bit frantic – the clothing rooms were constantly non-existent, and attempting to obtain the mellotron in was all tough. The 100 Club in Oxford Street was good to us, and for us, and I enjoyed that one. I remember very well the clubs we accustom to go to later the gigs! The Bag Of Nails was brilliant and The Speakeasy (we played there a pair of times too) and The Revolution.
5. What would you be doing if you weren’t playing music?
Wondering why on world I wasnt playing music!
6. Of the unperformed-live songs, "You and Me" is the most fan-requested song to be listened live. Is there a particular cause for excluding this particular song from the set-list? And if so, what?
I had no idea there was a fanrequested menu, and nought is deliberately precluded. I would love to do the song although but what ought we drop to make room? Oh, lets just play all night.
7. Whats your favourite food to dine while youre no on excursion?
Anything cooked by Albertos mom, at his laboratory in Italy.

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